rating: 7.40(2 159)
Director: Akira Kurosava. in roles: Setsuko'hara, Masayuki Mori, Tosiro Mifune, Yosiko Kuqa, Takashi Shimura, ...
running time: , 166 min.
release date: 1951
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A screen adaptation of the eponymous masterpiece of world literature, the great Russian philosopher and writer Dostoevsky. The action moved to Hokkaido, the northernmost of the Japanese ostrovov.Kameda back in Hokkaido. In the hold of a steamer he meets with new millionaire Akamoy, highly temperamental man. Akama talks about his fatal passion for the beauty Teko NASU...
Review: Dostoevsky-San Honestly - this is a movie I started watching with great caution. Partly because of the fear that Dostoevsky adaptations bad, partly because of the stupid Russian pride, they say, our writer, and only we can understand in all his grandeur and depth. I want to say at once, that neither the first, nor the second fears were not realized. Because Kurosawa took really great movie, after more than 50 years it looks as interesting, amazing and fresh, but at times a bit naive. But moreover, that the movie is good so it is also a film adaptation of amazing. As to 'understand Russian writer' and is not necessary to speak, Kurosave managed to do it better than Pyirevu and Bortko. So my native 'slavyanofilizm' resulted in not less than native 'yaponopoklonichestvo'.
Really Kurosawa read carefully, but how would carefully not read people truly creative or people of genius, they will always look for her. Can be a million times put Shakespeare and a million times it will be for everybody. With Dostoevsky, of course poslojney, but nothing is impossible.
Extra clean, then connect, then add, then rewrite the monologue, there stir events. So under the pen of the author transforms a great piece of work. Maybe for someone it and sacrilegious, but this movie. And even for 10 hours of screen time, it is impossible to show all that wanted to invest Fyodor Mikhailovich in his novel, and then 2-40. But during these forty-two, for me personally, the opening of a new Dostoevsky and his new heroes. And may be not new Dostoevsky, and the new 'the Idiot'. Places the author of guessing and showed such subtleties, what I could see only on the second or third reading. Filming is always a scope, the only picture in the frame, you can hang different.
Japanese names I certainly do not remember. Japanese person remembered with difficulty. Their body language is very interesting, expression of emotions sometimes unclear. Prince Myshkin (all the same I will be the use of original names) continuously keeps his hands on his chest - a symbol of humility, I guess. The women are beautiful, but beautiful in Japanese. Aglaia and Nastasya Philippovna, as expected, the best. In General Kurosawa with the actors do not mistake. All of them, absolutely all of them, well, maybe apart from the General Ivolgin, perfect. It seems, if Dostoevsky was Japanese and wrote his novel in the 50-ies, that's just what they would have been. Think about the game paint inappropriate, it was perfect.
And not only the actors adapted for Japan, but also many other things too. But what is surprising - nothing catches the eye and even the exchange of talismans (instead of the Orthodox crosses) between Rogojinyim and Myishkinyim looks natural and provided for a writer that is a writer, not a writer.
And how beautifully written and filmed the scene. Say's party Nastasia Filip with subsequent incineration of money - it is something. I reviewed several times and each time enjoyed and was surprised and said to myself, Yes, Yes, Yes that's the way to be removed so we had to do it. Although, when I read it in my head shot his, unlike the film. Or let's say Breakfast at Epanchinyih. How great the author tells us that, in view of the time constraints, could not take off, and at the same time as he perfectly presents us with all the family, despite their few 'obrublennyiy' composition (total of two daughters).
I quite forgot to tell more about the two actors of this film. This is an amazing music, so characteristic of Japanese films, and the weather. These two actors are making a huge contribution to the film. And if the music adds to the atmosphere, and sometimes shows a fool the audience where he was tense, the weather is almost immediate areas of the events of whether the falling snow on the roof, the wind of his fire in the furnace, and thunder in the end, thunder, rattling in the middle of a snow storm.
The difficulty of this picture can be called hristamatiynoy adaptation of Dostoevsky, but with difficulty, this movie can not be called not the film adaptation. This is, perhaps, something in the middle, and it's average, and it turned out to be the best. If we say Bortko just shifts the text on the film, as the actual and Pyr'ev, Kurosawa makes their any specific conclusions, he shows us his point of view, turning the book under the angle, under which, perhaps, the Russian reader and would not even look at her. The conclusion from this was that if you are a child and don't want to read, and want to watch, or if you are a supporter of that in the movie was 'all like in the book' then I think the picture of Kurosawa's not for you. But if the book you read and want to be with someone argue, to share, or know someone's opinion, you are welcome. The author told the story as he could, 'in your own words'.
However, the end of the movie I was a little introduced in bewilderment. To be honest Aglaia I was somewhat different, perhaps worse, if it is appropriate word than Kurosawa, however, did not want to impose their opinions, especially in the assessment of the films-filming, always try to distance themselves from the evaluation of the book itself. Well as it turned out.
P.S. I Advise you to watch the version with subtitles, only here, I felt that the Japanese people can't just scream, but speak, and to speak beautifully. I even several fell in love with the Japanese language.
8 out of 10
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