rating: 6.60(1 110)
drama, romance, music
Director: Martin Ritt. starring: Paul Newman, Djoenn Woodward, Sidney Poitiers, Louis Armstrong, Dayenn Carroll, ...
running time: , 98 min.
release date: 1961
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Two American jazz musician in Paris love of two tourists, American teachers and care for them in the power of his charisma.
Review: 'It doesnt mean a thing, if it ain't got that swing!' 'All that is not associated with swing, it makes no sense!' said the great and terrible Duke Ellington in 1932 and in 61m wrote the music to a picture of 'Paris Blues' Martin Riitta, impressive not only by its acting up, but also attention to the favourite of many Americans jazz-Blues theme. The action it takes place not in some new York club 'cotton', and in the most romantic city in the world Paris, which, of course, just pushes the main characters to love adventures.
And the heroes of these musicians REM Bowen and his friend Eddie cook (Paul Newman and Sidney Poitiers) settled here for a long time, feel like fish in water, and even built your own heterogeneous mini-ensemble with a bass, a guitar and keys, everything as it should. Of course, it can not do without a conflict: Bowen, who has certain 'star' habits, often outweighs the blanket over himself and demands of the colleagues of accounting for it was his wishes and proposals. But this is narcissism instantly comes to nothing, barely Bowen notices pasted all over the city posters of the upcoming concert of the furious (Louis Armstrong), the true King, realizing that not old enough to be his soles, he, nevertheless, does not fall spirit and continues to tyrannize others. And soon the musicians put an eye on arriving in Paris American tourists, young, inexperienced and not familiar with the European Bohemia
'\'You write music? \'I live music. In the morning, afternoon, night. All the rest like the cream on the cake'.
The antithesis of the film is the opposition of the creative credo of the people selflessly, selfishly are keen on their work, simple human values embodied by the heroines of Joan Vudvort and Dayenn Carroll. A teacher by profession, a girl of good, honest families, they want only quiet and peaceful life, and always at home to break the link with the home they are not ready. From the point of view of musicians, especially RAM, a typical 'person of the night', these modest dreams no more than a bourgeois habits, typical for the 'people of the day'. Himself as he considers a representative of a certain higher caste creators, not just proud of, and kichaschihsya his musical talent and the ability to play music on saxophone. And even Eddie cook, kind, thoughtful, and prone to introspection, is not in a position to re-assess the values and get rid of harmful custody of a comrade. Loyalty, friendship, love, and compassion are equal in the eyes of Bowen to the cream on the cake. But, as in other works Riitta with the participation of Newman, the system of antivalues accounts for the last time after time to be tested for strength. The question is, what are the lessons which he derives from a series of exposes, and drew the whole rotten nature of his pseudo-morality.
Such drama of human interaction and understanding of his 'I' flow on a beautiful black-and-white background of the musical life of Bohemian Paris. Here, a very special cultural environment, joined in which, indeed it is difficult to take back. A separate aspect for analysis represent numerous musical numbers of the 'Paris of the Blues'. REM Bowen white musician, respectively, and jazz, a priori, black music, he sings-white: without excessive expression, with a considerable Blues painting in the style of the Kul-jazz Lester young, and miles Davis. And that's improvisation Eddie cook resemble the classic North-East Chicago jazz, it is possible, with elements of free jazz. When, in the frame occurs behind armed with his pipe Louis Armstrong, frantically turning the whites of his eyes and almost vyiplevyivayuschiy together with the notes light, we find out in his Frenzy of the best features of the mad bibopa, what we remember him on the works of Charlie Parker and dizzy Gillespie. Very interesting image created Serge Redjani, who played a cunning, but specifically sitting on a powder flamenco artist.
'When I first came on the Champs-Elysees, then realized that stay here forever'.
In our days shocking antics of celebrities with the Musical Olympus already few people are surprised, although this is true not to jazz, and rock and to a lesser extent hip-hop. But we don't stop to wonder what makes them behave not like the rest, try not to just stand out from the crowd, but rise above it, in a loud voice declared its exclusivity and uniqueness. REM Bowen believed that his charisma musician can serve to justify any actions, and rebellious aura quite match his image. A huge imprint on the fate of heroes imposed and Parisian atmosphere, unrestrained, uninhibited, not just making the various eccentricities, but also fully their excuses. Unfortunately, for a crazy night, filled with chaos saksofonnyih poliritmiy, inevitably comes the morning of insight, and, looking back, can't see nothing but bitterness and void.
The extent of the impact on the viewer of the film in many respects depends on the sympathy of the latter to the cosy Parisian bars and the howling of pipes/saxophone/clarinets and inspiring growl Master of Jazz Louis Armstrong.
9 out of 10
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