rating: 7.20(3 978)
Hong Kong, China
action, drama, war, biography, history
Director: Feng Syaogan. in roles: Zhang Hanyuy, Chao Deng, yuan Venkan, Jan Teng, Liao fan, ...
running time: , 124 min.
release date: 2007
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The film tells about the life of captain GU Zidi, commander of the the 9-th company of the people's army, the military actions in the latest of which he was the only one left alive to the end of his life trying to correct the mistakes of the military, who announced his heroic company missing...
Review: Pilgrim of repentance This is the first Chinese movie to me from childhood. 'The signal for retreat' (original title) are bribing quite the European humanistic attitude, enthusiasm, experience.
On the structure of the film. The first part is rubilovo, the blood and the horrors of war, but without going bust. The second - reflection. The tragedy of the survivors of the captain, putting his company for the job. His search of redemption, an attempt to return, raise comrades, in the literal sense of get to them.
The pathos and the philosophy of the paintings are positioned as a pacifist. However, not so straightforward. In the first picture is striking in its emotional depth, which the modern European and American films of the same type is difficult to wait. The depth of this is achieved through the careful selection of expressive means. There is no hysteria, there is simply high-quality, sincere and professional work unknown to me actors, smart layout of the content and emotional fragments. The deliberate use of symbols, as in the fragment, where Su TSzyidi, misses on the bridge of his company forward and looking back, into the darkness, where shall be given the signal for retreat, the call to live, and not die. Nemnogoslovnost - volume meanings achieved a delicate hint, framing, and not bold and vulgar smear of paint. The feeling of measures creators of the film is one of the keys of success of the picture.
Emotional musical arrangement, again reminiscent of the European and the best of Russian-Soviet kinotraditsii. Tone harmonica mildly disturb the soul, causing the freeze in the experience, katarsise. And two hours of timekeeping't seem to be a tiresome and boring.
Actually for me the main idea of the film is not so much in denial of the war. I'm more impressed fineness of the transfer of the internal struggle of the main character and the problems raised by this struggle. The authors without any pseudo-philosophic efforts have put the most complex issues: the irresistible gap between life and death, the duty and humanity, will and destiny, the meaning of suffering. Film shows: on a rational level, these questions can't be settled. Breakthrough for the deaf tenet of external norms symbolizes figure Su TSzyidi. Suffering is undergoing, but not broken. This is an irrational human integrity, and his involvement in anything more than it is. Su - the only survivor, the captain of his company, which was sent to death. He is dead, since he could not forgive the death of comrades, since one with them. But he could not forgive himself and failure to do the job in exchange for his own life and his subordinates. GU has left his soldiers after their death, he became a living witness of their feat, and about their desire for life. They are alive, because he is alive. This is irrational unity incompatible.
Search GU, his attempt to 'resurrect' battle brothers hardly understandable to modern Europeans. American stuff would be in the picture soplejuynyih and urapatrioticheskih moments. The wise Chinese proverb here as if in passing, but take heart viewer without a trace. 'But your parents as some call them. How can they be anonymous?..' - asks the main character of the fallen in the war, powerless, and wise, but in these words sounds something higher, which encompasses all things and takes away the pain and hatred. Particularly impressed with some sad-introvertal, touching, exciting, thrilling game Zhang Hanyuya, which has to yourself.
Which is to say, the obvious advantage is the absence of the film and a hint of 'agitation, propaganda, organization'. The unity of the Chinese people here looks like a natural throbbing relationship, and not as a prinudilovka. The Chinese this film just showed the world why they have reached this in its provisions. Because never lost the connection with the tradition - irrational core, the basis of life, and were able to enter it in the present, not pokalechiv in this case neither the first, nor the second. Su TSzyidi - trembling thread between China thousands of years and China today.
8.5 out of 10
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