rating: 7.10(29 014)
Great Britain, Spain
Director: Jonathan G'eyzer. starring: ray Winston, Ben Kingsley, Ian McShane, Amanda Redman, James Fox, ...
running time: , 89 min.
release date: 2000
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After spending nearly all of his life behind bars, gangster Jos Douv decided to retire and together with his beloved wife to settle in Spain. But one day, when the Jos basking in the sun and sipping beer, appeared to him uninvited gost.Britogo'ovyiy don Logan, wild, crazy and evil Koresh Ge'a, intends to make him come back to London to do the last, but very important case - till 'the robbery of the century'...
Review: A second chance The plot of the film is divided into two levels, with a clear geographical attachment, Spain and England. However, the essence is the perspective and context. And here in the foreground - criminal-home of the drama that unfolds eternal motives within the history of several days. A sharp pop-art style, it seems, can serve as a tool in the implementation of the strong from the literary point of view script, aimed at complex analysis of the dramatic, not many are not enough, ontological question. But flashy color of the frame are becoming a tool of 'the magic of cinema', staining of Director's sense of the phrase, giving the thoughts of the wonderful power of penetration into the viewer's consciousness.
Figure number one. 'Prosolnechennyiy' air sneaks wet heat of under the shade of the trees, white walls, blue sky, molten concrete - hot, light dissolves space, steam goes up, the skin is wet and hot. All sinks in the summer bliss of the Spanish Riviera, monotonously, smoothly. The midday Siesta triumphs, soon giving way to the cool twilight of the tender of the evening, cocktail dresses, light shirts, under the excesses glossy piano melodies of old jazz, female laughter and idle conversation. It is the life of Gary: in a luxury building with a beautiful wife, best friend and his lovely wife. It is a Paradise on Earth, where there is only a smile, recreation, entertainment and sex. This is a place devoid of death, and even a giant boulder, passing the hero has a right over his head, powerless overshadow the eternal bliss.
Figure number two. Her lips compressed, as if stone, in a trembling voice she says: 'He called'. Eyes of glass, for a moment, fingers convulsively moving emptiness, the last - in a whisper, 'is He coming'. On the shore of Eden comes down don Logan, which call allegories language does not turn - realer than Mephistopheles, worse than Woland, izvraschennee than Bacchus. And in his eyes - the bottomless abyss, but in the words of \' the cuts the axes, and the movement cut the air. Concentrating, firmly, though the evil seeps through swollen (out) of the tumor. Don is terrible news: Gary must return. Back in England, the hated England, where were the nightmares of his memory. It seemed, she let go of him, forgive the past, allowed to live further \' no, it was just a vacation, vacation in happiness, but need to pay, a little.
Figure number three. Orgy in Baroque vulgar under the weight of watery sky. Drugs, guns and money. The action is enclosed in heavy narrow camera - stuffy. Here, in London, Gary was a robber, zhigalo rich padonkom. But one day all of abandoned by selecting the serenity away from the merry-go-round vices. Because of all, as the sharp edges: painful, but can't let go. He should Rob a Bank. Once again, which would be the most difficult.
The plot of the picture detects the metaphorical detail, which seeks to expand to by the universality of the dilemma of the coup of his own life. And the parallel is obvious, but the idea of the authors go further, penetrating into the concept of dependence of this on the severity of the past. On the other hand means helplessness of the man before the rock, but in this context is not a mythical of a higher power, and the aggregate disparate events, suddenly crystallizing in the hard frame of predestination.
The former requires to pay debts, and it says by the mouth of the don river. However Gordian knot - this is not the robbery, and the step is much more terrible and unbearably heavy. Ticket to the future becomes the sacrifice of himself for the salvation of loved. Harry's wife in a fit of righteous wrath kills the don, so Gary is without a doubt is sent to the appointed place, to take her suspicions. The full horror of the way in the past melts in the rage of self-denial, of escaping from the depths of the soul of old playboy, which internally ascends to the heroic pathos. But the development of the image deprived of false pomp and focuses on the humble, meek submission, the suppression of his own feelings. And this, in the opinion of the writers, and there is a great feat, which is not ashamed to redeem fate.
In fact the philosophy of the tape returns to the trivial thoughts of changing the world, through its own transformation. However, easily traceable biblical analogy, seasoned with surrealistic fantasies, getting all sorts of allusions to banality. The way in Britain - this is the road to hell, and, painfully familiar, here and there is a Satan in the face of mob boss Ted Bassa, and the situation of flour, which can be considered underwater robbery, was nearly ended tragedy. The apparent contrast of the Paradise Kushch connects with the gloom of the country rains envoy of hell don. And his death seems allegory of the collapse of contact between the two worlds, but for a moment before death embodiment of darkness suddenly transformed into a man truly unfortunate. Last scream: 'I love you, you fool!' - convert to Jackie - woman, with a fierce hatred finishes off his heel. Turns out, is there something alive, something important, sincere and expensive. The authors once again pushed the problem closer to the horizon, making it beyond the material. Only the change of the great force of will, can put an end to the endless roads through the circles of ordeals.
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