rating: 7.50(2 521)
drama, romance, war and history
Director: Luchino Viskonti. in roles: Alida Valli, Farley Granger, Heinz Moog, Rina Morelli, Christian Markan, ...
running time: , 123 min.
release date: 1954
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Venice, 1866, the last days of the Austro-Hungarian occupation. The guerrillas prepare the liberation of the city. And in that time between the Austrian handsome officer and the charming Venetian Countess erupted a passionate love affair.
Review: Between Kabiriey and family portrait in an interior The first color film Luchino Visconti 'Feeling' work, in which the artist from neorealisticheskoy drama goes to the suit productions of his Mature period. Melodramatic conflict love the Venice of the Countess-patriot to the Austrian officer-'occupier' already involves and luxuriously deploys in visual imagery, in the musical design and the peripetias of the subjects beyond neorealism: this mannovskaya the topic of the North and the South, witnesses as rational-globaliziruyuschiy the North and the regional, passionate South, Germany and Italy, the theme of the decline of the aristocracy and the total birth of the state, the theme of loneliness among neighbors and call thrown down by alienation from the other, third-party man, the theme of the destructiveness of love. In the 'Leopard', 'Ludwig', 'Death in Venice', 'the Death of the gods', the 'Innocent', 'Family portrait in the interior of the' all or some of these topics will have a detailed embodiment.
But as long as the story is still declines in the direction of the masterpieces of neorealism 'Nights of Cabiria' Fellini and 'Mama Roma' Pazolini. Of course, the heroine of elected spoiled aristocrat, and not burnt inhabitant of the panel, but in the final analysis, the question boils down to the same money, this time money Venetian patriots, which the Countess Serpieri played by Both the valley, giving her lover, that he bribed the army doctor and 'escarp' from the service in time of war. This 'heavy legacy of the' household sotsialka neorealism, however, is being heralded as a double betrayal, the Countess of betraying their relatives and friends who have entrusted her Patriotic cashier, Austrian Muller of their comrades-in-arms. What was the significance of state borders and war, if we are talking about the salvation of life, of happiness? The irony, however, that the choice of the Countess is a replica of gigolo sardonic heroine Mangani, the informer Conrad in the performance of Helmut Berger, from the 'Family portrait'.
The cynical 'ekskort' and Schuler looks at the Countess Serpieri as the razvratnuyu woman, tranjiryaschuyu money on the joys of the unworthy of man, and not as the jertvuyuschuyu itself, its principles, its regulations patritsianku. And in this deep a subject of mutual misunderstanding, which all the same, under the cheap shrieks any casual democratic hurdy-gurdy, will remain forever between the propertied class and plebsom, the moral of which exhausted the words 'after all, we must somehow survive', to the gentleman from the novel Bulver-Lytton noticed 'it is not necessary'.
It returns to the Hegelian issues of master and slave Lord is able to jeopardize the life, so it turns into purchased and sold thing servant, is not capable of such a risk. However, the Hegelian the antithesis of growing unexpected consequences, prompted the fate of one 'master race' Mr. immured in his Regal loneliness and yearning for not so demanding of myself mores of the common people, but he might die, although not puts his life on the line, for 'who promenivaet freedom for security, loses something, and another'. After the chamber 'Dim stars of the Big dipper' film 'Feeling' is at the beginning of the 'big style' Luchino Visconti, his large-scale productions, covering significant events space and does not neorealisticheskie, historical and existential themes, took to the Director of the blue bloods of paramount importance.
8 out of 10
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